THE 2-MINUTE RULE FOR DANCE FRIDAYS

The 2-Minute Rule for Dance Fridays

The 2-Minute Rule for Dance Fridays

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Unknown Facts About Dance Fridays


I imagine this timing likely created during the Palladium age however I have not verified that. Eddie Torres began teaching and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing teacher, who helped him create his method and timing.


The story I'm regularly told below, that still calls for additional investigation, is that as salsa started getting to new audiences beyond the Caribbean and New York City, it was much easier and much more intuitive to teach social outsiders to dance On1 rather than On2. This story does not account for the truth that I've listened to Rueda de Gambling establishment was originally danced a tiempo On3 in Cuba.


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Salsa On1 is just among different salsa timings you can dance to and it is one of the most usual timing you'll discover worldwide today. Salsa On1 timing interpretation: "On1" means you start dancing on the first beat of the bar of music the 1. Your break actions (direction changes) are on beats 1 and 5.


The exceptions I've found so far, where On2 is most common, would certainly be around New york city and in South Korea (Salsa San Francisco). I make sure there are other locations that dance mostly On2 yet I have not danced in every nation yet! If you're unsure what timing is most typical where you live, ask your local dance workshop


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When someone claims "I dance salsa On1" they most likely indicate "I dance linear design salsa On1" (although you can dance any type of style of salsa On1, people usually indicate linear design). Don't stress if you've claimed these things in the past, it's all great we all have! The vital thing is to bear in mind there's a difference in between style and timing and grow your understanding so you can be much more exact when speaking about salsa with your friends.


It links nicely with the wording in the songs, particularly the piano, and various other percussion instruments like the cow bell and giro. Timing and design are two various things, so different the ideas when you discuss salsa with your good friends. Regardless of what timing is most usual in your region of the globe, remember you can technically browse around here dance any kind of style of salsa to any kind of timing check out and delight in! Desire much more? Check out this deep dive on the difference in between dance salsa On1 vs On2 when dancing a tiempo.


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Although there is an initial mambo dancing that originated from Cuba and afterwards infected Mexico and New York City in the 40s and 50s, nowadays when a person claims "I dance mambo" they mean salsa On2, which is different than the original mambo dancing. The sporadic free-from steps of the original mambo were danced solo.




As the dance started to spread out, On1 timing began to come to be preferred. Salsa On2 definition: "On2" means you start dancing on the first beat of the bar of music the 2.


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Historically those are the tools that a son cubano dancer linked with which was passed on to mambo and salsa. A great deal of professional dancers take pleasure in dancing On2 for the varied ways you can connect to the songs. This is the original boy cubano and mambo timing. Kid cubano is the music and dancing that came before mambo and salsa.


It attaches well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is similar to dance On2 contratiempo however you include the three-way step on 4 and 8. Danced to the exact same beats as On1, your break actions are currently on 2 and 6, which changes the feel of the dance.


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This timing is almost identical to contratiempo On2 but the actions that are normally on 4 and 8 are on 4. It's almost like a timing in between a tiempo and contratiempo.


5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home placement (on 4. 5 as opposed to 4) you're dancing syncopated timing. Actually it appears it's often danced as sort of a "blunder" for anybody dancing the previous two timings.


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As mentioned previously, this was the initial interpretation of dancing on clave (boy clave), where the Puerto Ricans would certainly align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to straighten as several steps of your basic as feasible with the strikes of the kid clave.


Naturally, individuals have located a method to dance on almost every timing feasible to kid and salsa music. Individuals dance On3 for the exact same factor you dance On1 since it emphasizes the strong beats of 1-3-5-7.


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Let's consider the beats you dance On1 to: -2-, -6- (strong beats are in bold) Let's check out the beats you dance On3 to: -4-, -8- (solid beats are in strong) Notification just how the solid beats are spaced exactly the exact same for On1 and On3? All you do is begin tipping On3 rather of On1.


That's why dancing On3 is so typical in Latin America. People either Attempt to dance On1 yet begin stepping On3 by mishap and it exercises simply penalty, or They do not recognize much about timing and are just translating what they listen to in the songs, based upon their experience expanding up in a society with salsa.

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